“It ain’t easy…being
green” is the favorite expression of Stormé DeLarverie, a woman
whose life flouted prescriptions of gender and race. During the
1950’s and 60’s she toured the black theater circuit as a
mistress of ceremonies and the sole male impersonator of the
legendary Jewel Box Revue, America’s first integrated
female impersonation show and forerunner of La Cage aux
Folles. The multiracial revue was a favorite act of the
Black theater circuit and attracted mixed mainstream audiences
from the 1940s through the 1960s, a time marked by the violence
had also been a pioneering lesbian transgender actress. Her
famed show toured America nearly fifty years ago. She'd
played a striking male while 25 men under her direction
In Michelle Parkerson's
1987 film: Stormé: The Lady of the Jewel Box,
using archival clips from the past, Stormé looks back on the
grandeur of the Jewel Box Revue and its celebration of
pure entertainment in the face of homophobia and segregation.
Stormé herself emerges as a remarkable woman, who came up during
hard times but always “kept a touch of class.”
Storme DeLarverie is a
living legend, jazz singer, & male impersonator from the and at
80 plus, DeLarverie is still recognized for her steadfast
advocacy for the rights of Gays & Lesbians.
cross-dressing African-American lesbian may have sparked the
Stonewall riot by hitting a cop after a cop hit her in the
street outside the bar—and she has no doubt about where most of
that anger came from on that fateful Saturday in June.
"Embracing, we smiled for the cameras."
“Stonewall was just the
flip side of the black revolt when Rosa Parks took a stand,”
says Delarverie. “Finally the kids down there took a
stand. The police got the shock of their lives when those queens
came out of the bar and pulled off their wigs and went after
them. I knew sooner or later people were going to get the same
attitude that I had. They had just pushed once too often.”
always so easy to come by.
In the '40s and '50s, the
Jewel Box Revue, regularly packed in crowds at the Apollo
Theater. Like today's drag kings, DeLarverie cut her hair
short, donned men's duds and took to the stage. "There
was no dressing in drag offstage. Not if you wanted to stay out
of jail." "It's much easier now," says DeLarverie.
"They can walk around the street in drag if they so choose.
That's great. That's good."
her a drag king today and she bristles. "I am a male
impersonator," says DeLarverie, who works as a bouncer at a
lesbian bar in Manhattan. "What I did was a forerunner for
them to do this."
What she did was to sing
big-band style, a handsome woman with a smoothly deep voice,
crooning amid a chorus line of beautiful men dressed like women.
It was all about illusion. Show biz. There was no lip-syncing,
either. (As she sees it, anyone can do that.)
Even so, DeLarverie looks
at today's drag kings with a certain amount of tenderness.
"I know a lot of the girls, and I'm all for them," she
says. "This is their day, these young people. This is their
day. Not mine."
This pioneer male
impersonator and activist Storme Delarverie, was honored with a
SAGE Lifetime Achievement Award in 2000, The award
is given to recognize the accomplishments of LGBT seniors and
Stormé currently lives in
New York’s Chelsea neighborhood, and is working as a bodyguard
at a women’s bar and still singing in her deep silky voice with
an “all girl” band.