| 
                 June 
                Jordan Author
Sunrise:  July 9, 1936Sunset:  June 14, 2002
 "Bisexuality means I am free and I am as 
                likely to want and to love a woman as I am likely to want and to 
                love a man, and what about that? Isn't that what freedom 
                implies?"June Jordan was born in New York City in 1936. 
                Her books of poetry include Kissing God Goodbye: Poems, 
                1991-1997 (Anchor Books, 1997), Haruko/Love Poems (1994),
                Naming Our Destiny: New and Selected Poems (1989), 
                Living Room (1985), Passion (1980), and Things 
                That I Do in the Dark (1977). She is also the author of 
                children's books, plays, a novel, and Poetry for the People: 
                A Blueprint for the Revolution (1995), a guide to writing, 
                teaching and publishing poetry. Her collections of political 
                essays include Affirmative Acts: Political Essays (1998) 
                and Technical Difficulties (1994). Her 26th book 
                published by Basic Books is her memoir, Soldier: A Poet's 
                Childhood, in May 1, 2000 and since then has received 
                unanimous national acclaim.
 "If you are free, you are not predictable and you are not 
                controllable. To my mind, that is the keenly positive, 
                politicizing significance of bisexual affirmation... to insist 
                upon the equal validity of all of the components of 
                social/sexual complexity," --June Jordan from the 
                
                Progressive.
 
 
 Her honors include a Rockefeller Foundation grant, the 
                National Association of Black Journalists Award, and 
                fellowships from the Massachusetts Council on the Arts, 
                the National Endowment for the Arts, and the New York 
                Foundation for the Arts.
 
 June Jordan, is one of the world's most 
                articulate and essential voices. Her work transcends traditional 
                bounds of self and society, expressing conscious optimism- the 
                unity of justice, equality and tenderness. Jordan is one of 
                those rare writer/activists whose greatest strength is her 
                ability to live what she believes.
 The author of 26 books, June Jordan is the 
                most published African American writer in history. Ms. 
                Magazine (July 2000) considers June Jordan "one of 
                America's fiercest literary figures and social activists" 
                and "the hope of a generation".  Internationally celebrated for her creative 
                accomplishments, she is Professor of African American Studies at 
                the University of California at Berkeley where she directs the 
                enormously popular Poetry For the People program. Poetry For 
                the People received a Chancellor's Recognition for 
                Community Partnership on September 19, 2000, for reaching 
                out to local high schools, congregations and correctional 
                facilities as well as University students. Jordan has been 
                Professor of English at more than seven North American 
                universities and colleges, including Sarah Lawrence, City 
                College and Yale University. 
 Poet triumphant, Ms. Jordan's poetry is found in virtually every 
                major anthology of contemporary poetry. She has been included in 
                more than 30 collections such as the Norton Anthology of 
                Modern Poetry, The Norton Anthology of African American 
                Literature, Homegirls: Anthology of Black Feminism 
                and The Village Voice Anthology. The Library Journal, 
                January 1994, hails Ms. Jordan as, "One of the most important 
                poets writing today." Currently a regular columnist for 
                The Progressive, Ms. Jordan's essays, poems, reviews and 
                articles appear in a wide range of publications from the New 
                York Times to VIBE and from Ms. to 
                Transition. The perception and candor of her commentary 
                challenges her readers to examine their own involvement in 
                public life.
 In September 2000, Black Issues Book Review described 
                Jordan as "an a-bomb" and "the consummate tough girl". 
                The New York Times featured Jordan on July 4th, 2000 and she 
                also appeared on The Lehrer News Hour in "A 
                Conversation with June Jordan" on August 21, 2000.
 
 Ms. Jordan has delivered keynote addresses, commencement 
                speeches, major papers and readings at national and 
                international gatherings, innumerable colleges, universities, 
                and on radio and television. She has presented her work and has 
                been honored at the United Nations, the United States Congress, 
                and the Library of Congress. She is as powerful in person as she 
                is in print and is one of the truly remarkable women of our 
                time. A woman of extraordinary talent and range, June Jordan has 
                earned her nickname as "the universal poet."
   
                Source:  
                
                http://socrates.berkeley.edu/~africam/jordan.htmlhttp://www.stanford.edu/dept/AAAS/106A.html\
 
 Streaming Audio:
 Steam 
                I
 Stream II
 
 
 See Also:
 The Intimate Distance of Desire: June Jordan's Bisexual 
                Inflections 81
 Ana Louise Keating
 
 Through an exploration of June Jordan's poetry and prose, this 
                essay questions contemporary definitions of bisexuality and 
                lesbian writing, and attempts to enact a non-binary bisexual 
                reading praxis. I argue that Jordan employs several tactics  
                including ambivalently gendered pronouns, oscillations among 
                apparently distinct categories of meaning, shifting referents, 
                and performative speech acts to resist restrictive identity 
                politics. These bisexual inflections enable Jordan to replace 
                conventional Enlightenment-based concepts of isolated, 
                self-en-closed identities with open-ended models of identity 
                formation that transform both herself and her readers. Moving 
                between sameness and difference, Jordan's bisexual inflections 
                destabilize the binary system structuring sexual, gender, and 
                ethnic categories, creating an intersubjective matrix
 
 |