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 Yvonne 
                Welbon. . .
Yvonne 
                Welbon. . .Yvonne Welbon, an award-winning independent filmmaker, originally from Chicago, attended Vassar College in Poughkeepsie, New York. Thereafter, she spent six years in Taipei, Taiwan, where she taught English, learned Mandarin Chinese, and founded and published a premiere arts magazine for five years.
Welbon returned to the United States and 
                enrolled in the School of the Art Institute of Chicago and 
                obtained a Master of Fine Arts with a concentration in film and 
                video in 1994. At present, she is a doctoral candidate at 
                Northwestern University in Evanston, Illinois. Welbon's current 
                project is Sisters in Cinema, a documentary, doctoral 
                dissertation, and website. 
                
                Her work as a filmmaker is experimental and often 
                autobiographical, exploring identity through memory, history, 
                culture, race, and sexuality. Her films illustrate our need to 
                recognize our heritage, history and our places in society as 
                individuals. 
                
                
                 Yvonne 
                Welbon's films and videos work to create a stronger media 
                presence for African American women. Her award winning films 
                have been screened on cable, public television, at universities 
                and community centers, and in film and video festivals around 
                the world. In 1997 she was awarded an Illinois Arts Council 
                Fellowship in Media Arts to continue her work in media 
                production.
Yvonne 
                Welbon's films and videos work to create a stronger media 
                presence for African American women. Her award winning films 
                have been screened on cable, public television, at universities 
                and community centers, and in film and video festivals around 
                the world. In 1997 she was awarded an Illinois Arts Council 
                Fellowship in Media Arts to continue her work in media 
                production. 
She has written, directed and produced a number of independent films and videos. Monique (1991) is an experimental autobiographical film about her first painful encounter with racism. It was awarded the prize for Best Documentary at the 17th Festival of Illinois Film and Video Artists.
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The Cinematic Jazz of Julie Dash 
                (1992-3), presents an inspiring interview with the pioneering 
                filmmaker. Julie Dash speaks about her background, training, 
                vision and struggle to bring Daughters of the Dust to the 
                American movie screen. The Cinematic Jazz of Julie Dash has been 
                acquired and added to the collections of numerous university 
                libraries in the United States and abroad. 
                
                Sisters in the Life: First Love (1993), is a black 
                lesbian love story which was screened at a myriad of festivals 
                including the San Francisco, Chicago, New York and Hong Kong Gay 
                and Lesbian Film Festivals. The film offers one of the only 
                media portrayals of a young black lesbian coming to terms with 
                her sexuality. 
                
                Missing Relations (1994) is an autobiographical 
                experimental dramatic documentary which explores loss and denial 
                in an African American family. Missing Relations was screened at 
                the Mill Valley Film Festival, the Atlanta Black Arts Festival, 
                and broadcast on the Chicago based PBS affiliate program Image 
                Union. It was awarded a certificate of merit at the Chicago 
                International Film Festival. Missing Relations was also 
                distinguished as one of the most outstanding MFA thesis projects 
                at the School of the Art Institute of Chicago. Welbon was 
                honored with an MFA Traveling Fellowship for the film in 1994.
                
                
                Yvonne Welbon was granted P.O.V. finishing funds, a Sidney 
                Poitier Emerging Filmmaker Fellowship and a Center for New 
                Television/NEA-AFI Regional Fellowship for Remembering Wei Yi 
                fang, Remembering Myself... (1995). The award winning 
                documentary is an autobiographical fi`lm about her experiences as 
                an African American woman living in Taiwan for six years. The 
                film was broadcast on the national Public Television series P.O.V. in 1996. Remembering Wei Yi fang, Remembering 
                Myself... won a Silver Hugo at Intercom: The Chicago 
                International Film Festival, and was named Best Film/Video on 
                Matters Relating to the Black Experience at the 11th Black 
                International Cinema Festival in Berlin. 
                
                Welbon is currently working on a new documentary. Sisters in 
                Cinema is the first documentary of its kind. It gives voice 
                to African American women directors and serves to illuminate a 
                history of independent filmmaking that has remained hidden for 
                too long. In the summer of 1997, Welbon produced and directed a 
                segment about her work-in-progress for Split Screen, a program 
                about independent filmmakers produced by John Pierson. The 
                segment highlighted the films of black women directors Eloyce 
                Gist, Zora Neale Hurston, Julie Dash, Darnell Martin and 
                Bridgett Davis. The Split Screen segment was cablecast on Bravo 
                in 1997. 
                
                In addition to her own work, Welbon has served in various 
                producing capacities on a number of other projects. She was 
                Associate Producer/Production Manager on the ITVS funded film 
                Mother of the River (1994) directed by Zeinabu Irene Davis. 
                Among her other credits are: Production Manager for the film 
                adaptation of the Ernest Hemingway short-story A Clean 
                Well-lighted Place (1994) directed by Allan Siegel; Coordinating 
                Producer of the Museums in the Park (1993), a video documentary 
                commissioned by and about nine Chicago museums including the Art 
                Institute, the Field Museum, the Shedd Aquarium and the Mexican 
                Fine Arts Center; and Associate Producer/Assistant Director on 
                Compensation (1998), a short feature film which parallels the 
                lives of a deaf African American woman at the turn of the 
                century in the early 1900s and one living today in the late 
                1990s. 
                
                Yvonne Welbon's writings on black women filmmakers have been 
                published in the Independent and other publications. They 
                include Calling the Shots: Black Women Directors Take the Helm, 
                Determined to Create a Presence: Black Lesbian Film and Video 
                Artists, The Marketing, Distribution and Exhibition of Daughters 
                of the Dust: A Case Study, and Sisters in the Life: Black 
                Lesbian Film and Video Artists. Her publications have been used 
                widely in film and video courses at a number of universities.
                
                
                Welbon is also the recipient of grants and awards for her 
                scholarship. In 1994 she was awarded a graduate fellowship at 
                Northwestern University in Evanston, Illinois, for study toward 
                a doctorate in Radio/Television/Film. In 1995, she was awarded a 
                fellowship for graduate study by the Illinois Consortium for 
                Educational Opportunity program. In 1997 she received a 
                Dissertation Year Grant from Northwestern University. In 
                addition, Welbon has completed all course work for a certificate 
                in Telecommunications, Policy, Management and Science. 
                
                Yvonne Welbon received a B.A. in History from Vassar College in 
                1984. Upon graduation, she went on to study Chinese in Taipei, 
                Taiwan at the National Taiwan Normal University. She learned to 
                read, write and speak Mandarin Chinese. At the age of 23, she 
                founded and began to publish a premier English language city 
                magazine in Taipei, Taiwan. After five years, developing the 
                magazine from an eight-page quarterly to a 52 page monthly, she 
                returned to the United States to pursue graduate study in film 
                and video. 
                
                In 1994 she received a MFA from the School of the Art Institute 
                of Chicago. She has completed all course work toward a doctorate 
                in Radio/TV/Film at Northwestern University. Her dissertation, 
                also called Sisters in Cinema, offers a historical overview of 
                the lives and the films of African American women directors from 
                the early part of the century to today. It is her intention to 
                create a strong record documenting African American women within 
                the history of film. With the publication of the dissertation 
                and the broadcast of the documentary, this history will, perhaps 
                for the first time, be made easily available to the general 
                population. 
 
Source:  Sisters In Cinema: 
                
                http://www.sistersincinema.com/filmmakers/ywelbon/bio.html
                Women Make Movies: 
                
                http://www.wmm.com/catalog/_makers/fm375.htm
                      
                      The Cinematic Jazz of Julie Dash
From her innovative short works to her critically acclaimed feature debut Daughters of the Dust, the films of Julie Dash have broken new cinematic ground and redefined black women's images on screen. In this wide-ranging interview, Dash talks about her background, development and approach to movie making, as well as the struggles, victories and interdependence of African American women filmmakers. Excerpts from early films and Daughters of the Dust, the dramatic feature about different generations of South Carolina sea islanders which has thrilled audiences across the nation, underscore the originality of this immensely gifted artist.
                      
                      The Following Are Streaming Video Clips
                      from Yvonne Welbon's "Sisters in Cinema" Documentary
                      
                      
                      
                      
                      
                      Julie Dash - 31 sec.
 
                      
                      
                      
                      
                      Dianne 
                      Houston - 44 sec.
          
          
          
          
          African American Lesbian Produced Film, Video, and Multimedia  
          
          Resource 
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          Black Lesbian 
          Film and Video Art: Feminism Studies, Performance Studies
 
 
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